The 9 Best Christmas Movies on Netflix | Jobi Cool

Christmas history.
Photo: Michael Gibson/Netflix

with the exception of White Christmas, you won’t find your usual Christmas classics on Netflix. Instead, over the past five years, the platform has become a haven for original Christmas movies — to the point of creating its own Netflix Christmas universe of regal rom-coms about lost princes and princesses finding true love. In fact, it’s become a tradition, and a smart marketing ploy, for clips from previous years’ holiday movies to appear somewhere in a new release. (To be clear, not every original Christmas movie Netflix releases is part of this universe.)

All of these holiday stories share common characteristics: they’re a cut above your standard Hallmark Channel movie (which isn’t as backhanded as this read); They are diverse in terms of identity; They struggle with loneliness, grief, and isolation; And fantasy elves, small-town grandeur, and enduring magic pave the way for family and community. Most of all, they are comfort watches, ready-to-snuggle-to stories that wrap you in a warm blanket. So, in preparation for your Holi days, here’s a list of eight Christmas movies on Netflix that are perfect for the whole family.

On Christmas Eve, every house on the block in the festive neighborhood is decorated for the holiday—except one. There live a widowed father with three children who try to survive the holidays to remember their recently deceased mother. Enter Aunt Ruth (Maggie Smith), who arrives with the excitement of Mary Poppins and a bedtime story for a young Finnish boy named Nicholas (Henry Lawfull). The child lives a barren existence in the forest with his widowed father (Michiel Huisman); When his father goes missing, the son sets out to find him and encounters magical talking animals, pixies, elves and the evil Mother Vodol (Sally Hawkins), who wants to eliminate the celebration of Christmas forever. Directed by Gil Kenan A Boy Called Christmas A nest of stories that teach children how to cope with grief without losing their faith in the world. It features dedicated performances from veteran actors Toby Jones, Kristen Wiig, Stephen Merchant, and Jim Broadbent. With a wink to the camera, the movie’s tender ending defies logic but brings in yuletide flair.

It may surprise you to know that Mary Lambert – the director of one of the best horror films of the 1980s, Pet cemetery — also filmed a Hallmark-worthy Christmas movie. Brooke Shields plays Sophie Brown, a successful romance novelist struggling with writer’s block after an ugly divorce from her husband. To rediscover her roots and some much-needed inspiration, she goes to buy the castle in Scotland that her grandfather’s family worked in before a powerful, wealthy duke sacked them, forcing them to emigrate to New York City. Sophie bumps into the dashing new Duke, Miles (Cary Elwes), a man with an empty title and a lot of debt but a heart of gold. Their inevitable romance is gooey and cute, the kind of deep love affair that wraps you in a cozy sweater as the sparks between Shields and Elwes descend to intoxicating levels.

From the demented belting of “Ho, Ho, Ho” to an Elvis-inspired blues performance in a prison cell featuring the E Street Band’s Steven Van Zandt – plus a cultish elf with a chain saw who plays the scenes. Gremlins – of Clay Ketis Christmas history Runs on high octane, bonkers energy. It begins rather simply: experiencing their first Christmas without their recently deceased father, estranged siblings Teddy (a Judah Lewis) and Kate (an eager Darby Camp) hitch a ride on Santa’s sleigh only for St. Nick (Kurt Russell) to crash on Christmas Eve. – lands in Chicago – losing his reindeer, presents and hat in the process. Russell plays Santa with an inspired levity that lands in a precarious place between creepy and cool in a cohesive film. Santa Claus and bad santa. The jokes are sometimes corny and dated, but this charming holiday tale keeps its heart in the right place, making for a fun classic.

You’d love to see a movie that relies entirely on holiday magic. Cara J. Along with Russell’s captivating script, director Monica Mitchell helms the time-travel story in which Sir Cole (Josh Whitehouse) from Norwich, England, taps a croon in Bracebridge, Ohio, 2019, circa 1334. He arrives on December 18. With a fee to complete your quest before midnight Christmas Eve. But what is Sir Cole’s discovery? At a hot-chocolate-fuelled rendezvous, wide-eyed, genteel Sir Cole bumps into local teacher Brooke (Vanessa Hudgens). Whitehouse delivers her fish-out-of-water performance with total commitment, and Hudgens is equally enthralled—together, they have enough chemistry to light up a tree. Part of the NCU, the film features incredible craftsmanship: the film has real bodies in the snow as it draws around the frame (a fascinating director’s commentary accompanies the film, outlining the process of creating the flakes). The Night Before Christmas Charming and charming, a smart, fun romance as captivating as any medieval legend.

It’s unfortunately still a rare sight to see an all-black movie musical: Dream girls, go up, rayand inactive There are exceptions. Black Christmas movies, however, are a bit more common (Last holiday, Best man holiday, This Christmas, preacher’s wife, and others). Writer-director David E. The Talberts Jingle Jungle: A Christmas Story is an ambitious combination of two genres: a once-prolific toymaker and inventor, Jeronicus (Forest Whitaker), is psychologically shattered when his trusted assistant, Gustafson, steals a book of ideas to start his own toymaking empire. To make matters worse, Geronicus sees all this happen as his business and family fall apart after the death of his wife. Decades later, when his precocious, mathematically gifted granddaughter, Yatra (Madelaine Mills), comes to live with him, Geronicus must rekindle his greatness before Gustafson (Keegan-Michael Keys) steals his latest invention. Remember the glitter and vivid costumes of this cute family fairy tale vizWhile the bantering show tunes delivered by the talented group are a collection of earworms about redemption, joy, and unbridled faith.

Jesper Johansson (Jason Schwartzman), the lazy, entitled son of the royal postmaster general (Sam McMurray), spends his days loitering around his father’s sprawling mansion. In order to teach him some discipline, his father exiles him to the distant town of Smyrnasburg with the risk of posting 6,000 letters within a year or losing his inheritance. After some initial struggles, Jasper learns of an isolated woodsman named Klaus (JK Simmons) with a cache of exquisite hand-carved toys. Directed by Sergio Pablos, Klaus Wrapped in one is an original story Emperor’s New Grove –Type Tale (also the way Jasper reminds Emperor Cuzco). Like that film, Pablos’ animated adventure sees Jasper learn humility through the example of a new simple, empathetic friend when he encounters a craggy evil woman, Mrs. Tammy Krum (Joan Cusack), intent on taking the Christmas spirit away from this melancholy. Snowy little town. Vibrant animation, composed of sharp, angular lines and vivid colors, brings out a mature heartwarming story with plenty of jokes for adults and children alike.

The teenage version of love actually Directed by Luke Snellin let it snow Takes place in a small town in Illinois, where many high-schoolers careen through melodramatic lives and relationship problems in hopes of attending a late-night party at a waffle restaurant. The best of these storylines involve Shamik Moore as a lonely pop star traipsing through town and finding solace in Julie Reyes (Isabella Merced), a girl wary of leaving her ailing mother in Colombia. Another interesting storyline involves a nice, painfully shy Tobin (Mitchell Hope), who is afraid to approach the girl he loves, Angie (Kiernan Shipka), with his true feelings. Teen movies come a dime a dozen in the streaming era, but few are as fun and have such endearingly oddball characters (see Joan Cusack wearing a tinfoil hat). let it snow. An intoxicating reality permeates the film, a kind of fervent euphoria that results in a post-credits scene composed entirely of a detailed tracking shot that lands on a pig in a Christmas hat.

Demonstrating the growing inclusivity of the modern Christmas movie is this gay Christmas rom-com from director Michael Mayer, with blonde, shirtless models strutting their stuff for a shaving-cream commercial in a small town where true love takes flight. The film follows heartbroken Peter (Michael Urie) as he returns home to New Hampshire to visit his parents for the holidays. Embarrassed at being single again, he asks his best friend and roommate, Nick (Philemon Chambers), to accompany him as his fake boyfriend. It’s not long before the ruse is exposed and Peter’s mother (Kathy Nazimi) tries to set him up on a date with the hunky and sensitive Kevin (Dan Finnerty), a gay man in town. But mixed signals and fears abound when Peter and Kevin seem more than friends. An energetic Jennifer Coolidge and a strong script and comedic performances provide plenty of laughs, but it’s the romantic twists and turns that give this familiar story a whole new carol to sing for marginalized groups and identities.

Traditional like ham and some mistletoe, by Michael Curtiz white Christmas A classic holiday tale stands alone among a sea of ​​Netflix original movies. The film follows two World War II veterans, blue-eyed maestro Bob Wallace (Bob Hope) and ginger-haired clown Phil Davis (Danny Kaye), as their famous duo on a post-war journey. At the behest of an old Army buddy, they bump into a sisterly double act – Betty (Rosemary Clooney) and Judy Haynes (Vera-Allen) – and are instantly smitten. The quartet eventually arrive at an empty, nearly bankrupt inn owned by their former commander, the kindly General Waverly (Dean Jagger). Can these artists save the inn? Of course, you already know the answer. Of course, some of the charm of this Technicolor Christmas story lies in its well-timed comedic performances, especially by Kaye and Vera-Allen. There are some uneven moments, especially the musical numbers that veer between cheesy and minstrelsy, but the film’s title song, full of funky, ruby-red Santa suits, will stick in your memory like Jack Frost nibbling on your nose.

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