The 10 Best Psychological Horror Movies of 2010, according to IMDb | Jobi Cool


Ghosts, monsters, demons and slashers are standard for horror movies. recent Halloween is over proves that fact. However, the film is a huge success a smile It shows that it’s not just the supernatural that scares people. Sometimes, it’s your own mind.


Psychological horror has been a staple of the horror genre, albeit more subtly than its knife-wielding counterparts. Those dark thoughts that lie at the bottom of everyone are often more terrifying than any monster. Add real monsters to the mix, and it’s an unsettling horror onslaught.

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Gerald’s Game (2017) – 6.5

Gerald’s game is a surprisingly faithful adaptation of the Stephen King novel of the same name. A couple goes to a distant house for some rest. In a consensual bonding play, the titular Gerald handcuffs his wife Jessie to a bed, before suddenly dying of a heart attack.

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Tied to a bed with no way to escape, the psychotic fear practically writes itself. Add a mysterious moon man who may or may not be a hallucination, and what follows is one of the most effective minimalist horror films in recent memory. A seemingly odd, even fun premise, is taken deadly seriously.

Suspiria (2018) – 6.7

A remake of Dario Argento’s classic surrealist horror film Suspiria Introduces audiences to a different brand of horror. While the framing device of cults and witches is present, it backs off to explore the deep trauma and psychic wounds that all the characters face in the story.

Much of the reason they are vulnerable to witches’ manipulation in the first place is because of the horrors they have faced in their past. The fact that one of the main characters is a sad old psychologist adds to those themes. This makes for a rare supernatural horror that hits pretty hard.

Saint Maude (2019) – 6.7

St. Maude The title centers on Maud, a devoted Catholic caretaker who becomes convinced that one of her patients needs her soul to save her. As the film progresses, however, his messianic attitude takes a sinister turn, and the line between reality and delusion blurs.

St. Maude It never clearly states whether it is supernatural or not. There are terrifying scenes that are impossible in reality but would be perfectly at home in the mind of a crazy zealot. It shows how self-centered the more toxic parts of the church can be, believing themselves to be prophets to explain their miserable lives.

The Babadook (2014) – 6.8

better first Hereditary Faced with family trauma and the terror of mental illness, however “Haunting” surprises audiences with its unconventional take on the genre. however Centers on a single mother whose husband died in a car accident six years ago. Stressed by work and her child’s phobia, she slowly begins to lose her grip on reality.

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however A horror movie about parents. It exaggerates and adds a sinister element to the very real worries and thoughts that stressed parents have. The strong theme of the movie is that one’s life is no longer one’s own after having children. The tension comes from how the main character deals with these uncomfortable truths.

The Witch (2015) – 6.9

the witch It is the cinema debut of director Robert Eggers. As far as horror movie debuts go, only Jordan Peele’s go outside Can be compared in recent memory. the witch Follows a family of Puritans who are expelled from their village, because their father is too Puritan, even by the standards of the time.

As they settle on a humble farm near a dark tree line, strange things begin to happen to their family. the witch It is a beautiful historical drama like a horror movie. Much of the horror comes from the mundane hardships the family faced in the 1600s. The psychological aspect comes from how the film explores themes of femininity through a Puritan lens.

The Killing of a Sacred Deer (2017) – 7.0

Killing a sacred deer Follows a skilled surgeon whose family’s lives are in danger when a strange boy tells them that if his father doesn’t kill one of his family members, they will all die. A kind of “modern” take on Greek myth, Killing a sacred deer An oppressively dark movie.

Despite the fictional premise, the rest of the movie is quite the opposite. The curse may be real, but at the end of the day, it’s a father being told that he must kill to save one of his loved ones. It’s a situation that everyone finds terrifying, and much of the stress comes from the choices the father must make.

Platform (2019) – 7.0

platform there is one The Twilight Zone-esque horror thriller that takes place in an impossibly huge vertical prison. A person wakes up in one of these cells, challenged to spend within six months setting their entire life for the next decade. However, the isolation and human malice he encounters makes him question his choices.

platform The immediacy is an unrealistic premise that presupposes many real principles of human nature. The title platform exists because people are inherently selfish. platform There is a deep dive into social inequality, and how opportunity becomes a fight for survival. The psychological aspect comes from the main character struggling to maintain his humanity in such inhuman conditions.

Hereditary (2018) – 7.3

Hereditary It’s the movie that brought Ari Astor’s macabre style of storytelling to a wider audience, and it’s certainly earned its well-earned reputation. Hereditary Follows the family in mourning the death of their mother. The film follows the family’s slow descent into madness as more details about the deceased grandmother’s past are unveiled, and it begins to affect their family.

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While Hereditary Teasing the supernatural, this is a film about generational trauma and mental illness. Hereditary Explores how abuse and mental illness can profoundly affect families far removed from the supernatural. It doesn’t matter if there are actually ghosts. Unfortunately, the tragedies they face are all too real.

The Lighthouse (2019) – 7.4

The lighthouse It’s Robert Eggers’ second foray into the movie world, and it’s a callback to old horror movies. This is not just a stylistic flourish for its own sake, but a deliberate way to give the audience a sense of claustrophobia. The story centers on two lighthouse keepers, the younger of the two harboring dark secrets.

Soon, the separation turns their relationship increasingly toxic, and the secret of what lies at the top of the tower is revealed. The lighthouse A very abstract film that tackles themes of toxic masculinity and closeted homosexuality in subtle ways, and definitely not. The lighthouse Defies genre, as it’s a lowbrow comedy at one point and a gripping period piece at another.

Get Out (2017) – 7.7

Of course, go outside It paved the way for psychological horror to make a comeback in the mainstream, especially after years of haunting the blockbuster. go outside Follows an interracial couple to meet their white girlfriend’s parents. They seem harmless at first, even if they seem awkward. The idyllic suburban facade slowly begins to crumble, and a terrifying scene strikes the viewer to the core.

go outside is a very bold horror film that uses racism as its main source. This isn’t the usual type of white supremacist slasher horror that targets minorities. This is a much more sinister form, informal racism that exists to oppress minorities that are looked down upon by the majority. Racism, in whatever form it takes, hijacks people’s lives. go outside It’s a stark reminder of how much work still needs to be done.

Next: Jordan Peele’s 8 Favorite Horror Movies of All Time



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