Movie Review: ‘She Said’ Judges Harvey Weinstein Investigators, Survivors | Jobi Cool


Meghan Toohey (Carey Mulligan, L) and Jodie Kantor (Joe Kazan) talk to Rose McGowan on the phone.  Photo courtesy Universal Studios

Meghan Toohey (Carey Mulligan, L) and Jodie Kantor (Joe Kazan) talk to Rose McGowan on the phone. Photo courtesy Universal Studios

LOS ANGELES, Nov. 14 (UPI) — she saidIn theaters Friday, is a detailed depiction of the journalistic process Post and The spotlight. It struggles a bit to fit its subject matter into a Hollywood movie about Hollywood abuse, but it remains a worthwhile document of the Harvey Weinstein investigation.

New York Times reporters Megan Toohey (Carey Mulligan) and Jodi Kantor (Joe Kazan) investigate whether Weinstein is the producer who has been implicated in stories of sexual misconduct by actors such as Rose McGowan and Gwyneth Paltrow. The film depicts their attempts to gather data and convince survivors to go on the record.

she said Shows how to do responsible journalism. Kantor and Twohey interview sources off the record just to know who else they should talk to and what they should ask.

They protect their resources, and understand the process it takes for someone to take the risk of going public. Toohey has already seen, with her story about former President Donald Trump’s accusers, women endure threats and harassment even when they prove it.

It appears that Toohey was forced to move his family due to threats, a subtle detail that is not clearly commented on in the film. A scene in which Toohey swears off the boys from making unwanted advances in public seems a little too on the nose.

This is a relevant example of how men can harass women with no answer for a low criminal level. It seems out of place when the rest of the movie seems to be well documented about the timeline of historical research.

Acting out Rebecca Lenkiewicz’s script based on Toohey and Kantor’s article and book, Mulligan and Kazan show how journalists gain credibility from weak sources. As reporters, they must balance compassion when asking someone about an attack with pressing for details and follow-up.

she said It also gives examples of women helping women. Toohey advises Kanter on ways to conduct conversations in a compassionate manner based on his own experience.

It takes the two women an entire movie to agree to go on the record. That is the subtlety of the process.

Toohey and Kantor also clash with Weinstein’s lawyers, who try to discredit or stonewall them. Times editor Dean Baquet was happy to stand by his reporters and push back against Weinstein’s team.

They still have to wait for an official response, even if they know it’s going to be rejected. They can set a reasonable deadline, but this process takes an investigative report.

The Weinstein stories sound familiar from articles and documentaries untouchableAnd they are just as annoying here.

A unique aspect of she said It is that the survivor is a multi-tasking actor. Ashley Judd plays herself and McGowan provides her voice.

The decision to play oneself and contribute to the telling of one’s own story is certainly a complex one for every actor. Because Weinstein allegedly ruined so many careers, it reinforces a bittersweet irony of how injustice was exposed in a story that actors can still play.

It blurs the lines when you’re watching Judd and listening to McGowan, while other sources are played by other famous actors. This is neither good nor bad, but it is a phenomenon that is unique in dealing with Hollywood scandals.

Some survivors may have struggled to relive the events. Some find it empowering. It was probably different for each person who came to the decision to participate.

For viewers, it can be disturbing when the real Jude appears while Mulligan and Kazan play reporters. Or, it can verify the story by including primary sources.

This is completely uncharted cinema territory since the real politicians Woodward and Bernstein researched. All the president’s men. Weinstein is played by Mike Houston, and other famous voices are uncredited.

she said Kantor and Toohey have some fun moments discussing which of them is more terrifying. It shows how they had to maintain a sense of humor while covering such an intense story, often with the door slammed in their faces.

The story is recent and public enough that most viewers can confirm what they are seeing. Some private moments with reporters can be a bit much.

A zoom call between Kantor and his daughter lays it on a little thick, showing how the story affects children, as does a scene where Toohey captures a boy at a bar. But if that really happened, who’s to say?

she said Capture the complexity of covering a story like Weinstein. The film takes a unique approach, includes real subjects as themselves, and respects the facts and people behind the events.

Fred Topel, who attended film school at Ithaca College, is a UPI entertainment writer based in Los Angeles. He has been a professional film critic since 1999, a Rotten Tomatoes critic since 2001, and a member of the Television Critics Association since 2012. Read more of his work in entertainment.

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