10 ‘Scary’ Movies For People Who Don’t Like Horror | Jobi Cool

A while ago, a colleague who is obsessed with horror movies described some of the horror movies she was able to make it to. One of the titles he mentioned? Bong Joon is parasite. But waitI thought, That’s not a horror movie. A tense thriller, perhaps, a satirical drama with some scary set pieces, but not something that was put on the “horror” shelf in video stores, back when video stores existed.

Still, it belongs to the fun category of movies that play without suspense, mystery, and horror. These stories are disturbing but not primarily designed to sadden and disturb the audience. Below are 10 other worthy and fascinating movies that I would consider the best “horror” movies for people who don’t like horror. Even if, like my colleague, you’re easily intimidated, you’ll find something to love on this list.

newbie (2021, directed by Lauren Hadaway)

A brilliant and tragic indie film from first-time filmmaker Hadaway, newbie Initially presented as a sports drama. A competitive college freshman named Alex Doll (played by Isabelle Fuhrman) takes a rowing class and catches the itch, soon to join her school’s team. As the plot progresses, Alex’s passion turns to obsession, and she settles into the clockwork stability demanded of particularly elite rowers. Fuhrman (known for an orphan horror franchise) delivers intense performances, but Hadaway’s knack for ratcheting up the tension to nightmarish levels stands out the most as Alex’s devotion becomes real.
Watch it on Showtime or rent/buy it

Cameras of girls dancing
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fits (2016, directed by Anna Rose Holmer)

Another surprising and under-the-radar debut, fits Worrying because it evokes a specific mood: that of early-adolescent anxiety. Toni (Royalty Hightower) is an 11-year-old training at a boxing gym in Cincinnati who is intrigued by a group of older girls who practice dance there. When she starts dancing with them, a strange and inexplicable seizure disorder begins to spread through the group, an event that Holmer’s script places firmly in metaphorical territory. fits It’s a subtle and insightful look at the weird, sometimes disturbing, but quirky ways peer pressure can manifest.
Watch it on Showtime or rent/buy it

nerve (2016, directed by Henry Jost and Ariel Shulman)

A clever, techno-thriller with a modern sense of humor, nerve It was a low-key hit in 2016 but isn’t talked about enough today. Based on a novel by Jeanne Ryan, the film is a clever bit of satire built around an online game called Nerve that encourages players to livestream an alien adventure in exchange for money. Vee (Emma Roberts) is signed up by her friend as a gag; She quickly finds herself paired up with fellow athlete Ian (Dave Franco), and they continue to complete tricky tasks around New York City. nerve It’s half-action film, half-rom-com, but there’s a gritty edge to it all, both in its portrayal of the mob mentality of the game and the dark turn Vee and Ian take in the film’s final act.
Available for rent/purchase

Berberian Sound Studio (2012, directed by Peter Strickland)

Peter Strickland’s psychological drama is a great way to watch a horror movie without actually watching a horror movie: it’s about the production of a movie the audience never sees. Set in an Italian production studio, it follows mild-mannered sound engineer Gilderoy (Toby Jones) as he cooks up audio effects. giallo Movies (especially the horror Italian subgenre) that seem to involve all kinds of torture and screaming. Strickland’s moves don’t really give too much detail to what the film-within-a-film is about, or to the scenes Gildroy is working on. Rather, the tension arises from witnessing how the auditory process slowly drifts away from the character’s consciousness.
Buy it from AMC+, Canopy, or rent/buy

A girl with butterfly wings clings to a wooden table
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Paprika (2006, directed by Satoshi Kon)

A trippy final masterpiece by Japanese animator Kon, who died of cancer in 2010 at the age of 46, Paprika is a brilliant depiction of the bleeding edge between dream and reality. Set in the near future, it focuses on a new piece of technology that lets scientists enter other people’s dreams. If that sounds like the plot of the next blockbuster Installation, yes, comparisons are often made. But Christopher Nolan’s film has an action-thriller bent, Paprika Very strangely, Kon’s animation style loads every dream sequence with busy and haunting imagery. Some of Cone’s movies (esp perfect blue) can be classified as downright scary, yet Paprika Walks a very blurred line; It can be funny and surreal one moment, and bone-chilling the next.
Available for rent/purchase

red road (2006, directed by Andrea Arnold)
Arnold’s feature debut, who went on to direct Fish tank and American honey (With Season 2 big little lie), red road Tout is a psychological thriller set in a real, now-demolished housing project in Glasgow, Scotland. Red Road Flats were the tallest residential buildings in Europe when they were built in the 1960s, but they eventually became a symbol of urban blight, and Arnold uses them to explore Britain’s growing reliance on surveillance amid the collapse of the social safety net. Jackie Morrison (Kate Dickie) is an operator monitoring buildings, spying through countless CCTV cameras in search of criminals and intruders; Eventually, she becomes infatuated with an ex-con named Clyde (Tony Curran) and tries to hook up with him in real life. Arnold’s film is a dark but authentic watch, turning its haunting location into the backdrop of a doomed romance.
Check out Kanopy

in the cut (2003, directed by Jane Campion)

Campion’s film, based on Susannah Moore’s novel, gleefully defies genre definition, which is common for the Oscar-winning New Zealand director, but is also a possible explanation for the film’s poor reception on release. It deserves cult-classic status though, as it weaves together a sex thriller, a detective story, and an anthropological study of early 2000s New York in fascinating fashion. Meg Ryan (in a quiet, against-type performance) plays Franny Avery, an introverted English teacher who begins dating a police detective (Mark Ruffalo) who is investigating a string of murders connected to her building. in the cut It’s both really sexy and sometimes shocking, moments that shatter Franny’s bourgeois downtown existence—but that’s part of the thrill of watching.
Watch it on Roku or rent/buy it

Swimming pool (2003, directed by François Ozon)

An homage to somewhat classic 1960s French drama La Piscine, Ozone’s film is a brilliant and under-sung erotic thriller that pits a screen legend (Charlotte Rampling) against an up-and-coming ingénue (Ludivine Sagnier) in a battle of wits and ego. Sarah Morton (Rampling) is a writer who uses a country house in the south of France to try to overcome writer’s block. Julie (Sagnier) is the owner’s daughter, who appears out of nowhere and starts throwing everything into chaos. What begins as an uneasy cohabitation turns sexually charged and antagonistic as Julie’s private life begins to encroach on Sarah’s, and Ozone beautifully heightens the suspense of the dream with each act.
Available for rent/purchase

Oprah Winfrey and Danny Glover in 'Lovely'
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dear (1998, directed by Jonathan Demme)

A big-budget adaptation of an authentic work of American literature, dear Starring Oprah Winfrey and produced and directed by Demme (whose previous two films Silence of the Lambs and Philadelphia). But audiences and critics found it off-putting at the time, perhaps because it’s an effective piece of filmmaking, both a ghost story and a gruesome tale about slavery. So much imagery dearwhich follows a former slave woman named Sethe (played by Winfrey). Wrestling with demons from his past, frankly, is shocking. But its supernatural storytelling, revolving around the mysterious ghost Beloved (Thandiwe Newton), who enters Sethe’s life and begins to unravel it, is the scariest.
Watch it on Showtime or rent/buy it

Picnic at Hanging Rock (1975, directed by Peter Weir)

That’s why so many great non-horror horror films are scary don’t do show, and Weir’s Australian masterpiece is memorable precisely because it revolves around something unseen. Set in Victoria, Australia in the year 1900, it follows the disappearance of several schoolgirls while on a picnic, a possibly supernatural event that unsettles the local community. As Weir’s story unfolds, attempts to solve the mystery fail, which only heightens the fear of what might have really happened. Picnic at Hanging Rock It will be much less effective if it is revealed what is going on; As it is, Weir’s film is one that viewers will cherish for years after watching it.
Watch it on HBO Max or rent/buy it

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